IN FOCUS NYC

Events, New York Watch Week

Schwarz Etienne at WatchTime New York 2026


PARALLÈLE | NEW YORK WATCH 2026

IN FOCUS

A familiar name.
A fresh encounter.

Schwarz Etienne at WatchTime New York: watches people came to see, details worth discovering, and a growing connection with the American watch community.

WATCHTIME NEW YORK 2026 · SCHWARZ ETIENNE

There is a particular pleasure in welcoming someone to a watch presentation and realizing the introduction has already happened.

They know the name. They have seen the watch. Sometimes, they are wearing one.

For Schwarz Etienne at WatchTime New York 2026, those moments became a memorable part of the weekend. From October 16 to 18 at Gotham Hall, editors, content creators and collectors arrived with a genuine familiarity with the Manufacture, and a clear idea of what they wanted to see.

The 1902 Synergy by Peter Speake. The 1902 Petite Seconde Heure Dorée. A closer look at Geometry. Often, all three.

As the agency supporting Schwarz Etienne’s international communications, we were there to help make those encounters happen. What made them particularly rewarding was seeing how much curiosity had arrived ahead of us.


A GROWING PRESENCE

They already knew the name.

For an independent watch brand, visibility becomes especially meaningful when it brings someone through the door.

Throughout WatchTime, visitors came specifically to see Schwarz Etienne. Some had followed its recent releases online. Others had encountered the brand through editorial coverage or earlier events. Several were already owners, including collectors of its collaborations with Kari Voutilainen.

That last detail stayed with us. These were conversations with people who already had a relationship with the watches, and were curious about where the Manufacture was going next.

The United States is a priority market for Schwarz Etienne. Its presence in Atlanta and Nashville, alongside its commercial activities and sustained press outreach, has helped create more opportunities for American collectors to encounter the brand.

After roughly a year and a half of our communications work together, WatchTime offered something particularly valuable: direct feedback on how that growing presence was being received. The familiarity across the table was an encouraging sign of the combined work taking shape.

FROM LA CHAUX-DE-FONDS TO NEW YORK

A Manufacture with plenty to show.

Founded in La Chaux-de-Fonds in 1902, Schwarz Etienne has movement making at the heart of its identity. Its ability to develop and produce its own calibers gives the collections a mechanical character that is as important as their appearance.

At WatchTime, the breadth of the presentation made that clear. The 1902 Petite Seconde, Réserve de Marche and GMT offered different expressions of the collection, alongside the Synergy by Peter Speake and the Petite Seconde Heure Dorée. Geometry brought another perspective, with its distinctive arrangement of hand-decorated dial surfaces.

There was a recognizable identity across the table, and enough variety to keep the conversation moving.

1902 SYNERGY BY PETER SPEAKE

Better in person? There was a case for it.

Introduced during Watches and Wonders 2026, the 1902 Synergy by Peter Speake was already familiar to many visitors through photographs. Handling it prompted a new appreciation of its construction.

The layered sapphire dial was a particular talking point. Ice white, Prussian blue and Cayenne orange create a fresh composition, while the arrangement of its different levels gives the display a subtle sense of depth. In the hand, visitors could better appreciate how the elements appear to float, and how much detail sits within an apparently light design.

Turning the watch over continued the discovery. The hand-wound movement has six bridges inspired by historic pocket-watch architecture, with polished bevels, Geneva stripes and sunburst decoration on the ratchet wheels. Twin barrels provide a 120-hour power reserve.

Limited to 88 pieces, the collaboration also entered the 2026 Grand Prix d’Horlogerie de Genève competition, although it did not reach the final selection.

In New York, the response was immediate and personal: people who knew the images were discovering the watch.

1902 PETITE SECONDE HEURE DORÉE

A little golden hour, on the wrist.

First presented at Geneva Watch Days 2026, the Petite Seconde Heure Dorée arrived in New York with an audience already eager to see it.

Its appeal becomes clearer as the light changes. Deep black gives the dial its depth, while 4N gold-toned details bring warmth to the hands and applied markers. The contrast feels considered, with small shifts in angle revealing differences between the dial’s textures.

Through the caseback, the dialogue continues. Anthracite tones and ruthenium-treated surfaces meet a 4N gold-toned micro-rotor. Six slender bridges, concentric circular Geneva stripes and polished bevels give visitors plenty to examine. The micro-rotor’s sandblasted and satin-finished surfaces, including Schwarz Etienne’s chevron motif, reward a particularly close look.

The automatic movement offers an 86-hour power reserve, within a 39 mm titanium case with a multilayer black DLC treatment. The edition is limited to eight pieces.

For us, its charm lies in that continuity: a golden-hour idea carried from the dial into the movement. Visitors spent time exploring both.

GEOMETRY

The details invite another look.

Geometry had its own way of slowing the conversation.

Its 18-karat gold dial brings together hand-guilloché decoration within a deliberately deconstructed composition. Different zones, including fluted, azuré and clous de Paris patterns, give the surface a changing rhythm as the watch moves.

The precision is striking, but so is the human work behind it. Explaining how the decoration is executed by hand gives collectors another way to understand what they are seeing.

The patterns are carefully defined; their manual execution gives each dial its own subtle character.

Here too, the view through the back matters. An automatic micro-rotor movement leaves room to appreciate the finishing, adding another layer to a watch whose dial already offers plenty to discuss.


They knew the watches.
Now they could spend time with them.


BEYOND THE SCREEN

Meeting the people behind the posts.

For the Sparkling PR team, New York also brought the pleasure of meeting collectors and content creators we had previously known through Instagram.

A familiar account became a face. An exchange in the comments became a conversation across the table. We could hear what had caught someone’s attention, show them a detail they had missed, and learn more about the watches they already owned.

Those encounters are part of what makes shows like WatchTime valuable. A photograph can start an interest. Holding the watch, asking a question and taking the time to look can develop it into something more lasting.

We were happy to see that happen throughout the weekend, and look forward to continuing those conversations as Schwarz Etienne’s collections develop.

WHAT COMES NEXT

Recognition worth building on.

WatchTime was a success for Schwarz Etienne because it brought together the right watches with an audience ready to discover more about them.

The growing familiarity with the brand, the presence of existing owners and the response to its recent releases all gave us reasons to leave New York encouraged. They also gave us a clear direction for the work ahead: continue building visibility, deepen relationships and give the American watch community more opportunities to experience the Manufacture in person.

For now, we are taking home the pleasure of those encounters. And the memory of a few watches being turned over, then turned over again.

Continue reading: our opening New York Watch Week editorial. Explore the collections at Schwarz Etienne.

PREVIOUSLY
NYC NOTES 01

Col&McArthur: When history becomes personal

Deconstructing the storytelling behind the Belgium brand’s unique DNA.

OPINION
A personal perspective

Has New York Watch Week Outgrown a Week?

Marina Coelho’s reflections on a week growing into something much bigger.

COMING NEXT
NYC NOTES | FINAL

New York Watch Week: Beyond the Watches

Our personal view and conclusion from a week with watches in New York City.

New York Watch Week

Col&McArthur: When History Becomes Personal


PARALLÈLE | NEW YORK WATCH 2026

IN FOCUS

Col&McArthur: When History Becomes Personal

At Windup Watch Fair New York, the Belgian brand brought more than watches to the table. It brought fragments of history and discovered how personal those stories could become.

WIND UP NEW YORK · OCTOBER 2026

Col&McArthur at Windup Watch Fair New York.

There is a difference between knowing the story behind a watch and seeing how that story has been translated into the object itself.

Col&McArthur has built its identity around historical events, remarkable places, and cultural figures. Its watches incorporate materials connected to the subjects they commemorate, from fragments of military artifacts to pieces of the lunar landscape.

On paper, it is a compelling concept. But one question remains until the watches are examined in person: can the execution live up to the story? At Windup Watch Fair New York, where the Belgian brand was exhibiting at a watch fair for the first time, there was an opportunity to find out. And the answer was in the details.


Col&McArthur | Windup Watch Fair

More than watches on a table

Among the many exhibitors at Windup New York, Col&McArthur approached its presentation differently. Rather than relying exclusively on watches displayed across a table, the brand had created a space around the stories of its collections. Individual presentation panels introduced their historical references, while artifacts and examples of the materials incorporated into the watches helped visitors understand where those stories began.

A military helmet associated with the Normandy collection. A musket ball connected to Patriot 1776. A piece of lunar meteorite. These objects were not simply decorative elements. They helped explain the relationship between the historical subject and the finished watch.

The stand was positioned away from the fair’s central circulation areas, and the first day was relatively quiet. But as the event progressed, curiosity grew. Visitors stopped to examine the watches, asked about the materials, and listened to the stories behind them. Some had already encountered Col&McArthur online and wanted to see the collections for themselves. Others discovered the brand for the first time.

For a watchmaker whose identity depends so strongly on storytelling, those encounters became an important part of the presentation.

Historical artifacts displayed alongside the watches.


THE WATCHES | A CLOSER LOOK

The difference is in the details

Commemorative watches can be difficult to get right.

When a design carries a historical narrative, multiple symbols, and unusual materials, there is always a risk that the concept will become more prominent than the watch itself. That concern largely disappeared when handling Col&McArthur’s pieces. The cases and bracelets felt carefully finished. The dials remained legible despite their historical references, and the integration of the materials appeared considered rather than excessive.

The designs varied according to their subjects, moving between classical restraint and a more contemporary, sometimes sportier aesthetic. Yet the underlying approach remained consistent. The watches did not feel like souvenirs built around a commemorative theme. They felt like watches first, with their stories incorporated into the construction.

The Normandy 1944 was particularly revealing.

Normandy 1944, with historical materials integrated into its design.

Its dial incorporates material from an American M1 military helmet, creating a textured surface that invites closer examination. Sand associated with the Normandy landing beaches introduces another physical connection to the events being remembered.

There is something almost contradictory about this idea. Watchmaking usually goes to considerable lengths to protect a timepiece from sand, dust, and moisture. Here, sand becomes an intentional part of the object.

And yet the result does not feel theatrical. The historical materials are present, but they do not overwhelm the design. The watch remains balanced, wearable, and surprisingly contemporary.

That balance is perhaps one of Col&McArthur’s most interesting achievements.

The stories opened the conversation. The watches gave people reasons to stay.


THE PEOPLE | PERSONAL CONNECTIONS

When the story belongs to someone else

The watches attracted attention for their materials, but the most memorable moments at the stand were not necessarily about watchmaking. They were about people.

Many visitors, particularly older generations, brought their own connections to the historical events represented in the collections. Some shared family memories. Others recognized references that carried a significance beyond the watches themselves. There were also children fascinated by the unusual materials and the stories attached to them.

One encounter stood out. A visitor showed particular interest in a watch dedicated to Napoleon. He returned to the stand the following day and, after some encouragement, tried it on. The experience moved him to tears. The exact reason for his emotional connection remained private. But the moment illustrated something that is easy to overlook when discussing commemorative watches.

History is not experienced in the same way by everyone. A date, a place, or a historical figure may be a familiar reference to one person and something deeply personal to another.

Col&McArthur’s watches create an unusual starting point for those conversations. They do not simply invite questions about calibers, case dimensions, or finishing. They encourage visitors to talk about memory, family, and the events that have shaped their understanding of the world.

At Windup New York, those conversations became as interesting as the watches themselves.

Conversations and closer looks at Windup New York.



WHAT STAYED WITH US

History, a little closer

Col&McArthur did not leave New York having changed our understanding of the brand. It reinforced it. The watches confirmed that the historical concept is supported by thoughtful execution, carefully integrated materials, and a level of finishing that deserves attention in its own right.

But the fair also revealed another dimension. Seeing a visitor become emotional while trying on a watch, listening to people share family connections to historical events, or watching children discover the stories behind the objects reminded us that the meaning of a commemorative piece is never entirely determined by its creator.

Part of that meaning comes from the person encountering it. And perhaps that is what makes Col&McArthur worth watching.

In a market where differentiation is often expressed through a new dial color, a case variation, or another limited edition, the Belgian brand is developing its identity through something less conventional. Not simply watches inspired by history. Watches that carry a small part of it. And, sometimes, make someone else’s history feel a little closer.

PREVIOUSLY
NYC NOTES 01

First Impressions

Our opening day at Windup and WatchTime New York.

OPINION
A personal perspective

New York Watch Week

Marina Coelho’s reflections on a week growing into something much bigger.

COMING NEXT
IN FOCUS | Schwarz Etienne

Beyond the Dial

A closer look at Swiss independent watchmaking at WatchTime New York.