Client Stories

Client Stories, Watches & Jewellery

Col&McArthur: When History Becomes Part of the Watch


PARALLÈLE / WATCHES & JEWELLERY
IN FOCUS · COL&MCARTHUR

When History Becomes Part of the Watch

From lunar meteorites to the Berlin Wall and America’s founding story, the Belgian brand explores what happens when watches carry more than time.

What if the most interesting detail of a watch had nothing to do with its movement? Not because the mechanics are unimportant, but because something else catches your attention first. A fragment of lunar meteorite. A piece of the Berlin Wall. Sand from the Normandy beaches. Or, in a recent collection, a small piece of material connected to the American Revolutionary War.

Col&McArthur Normandie 1944

These are not the materials we usually associate with watchmaking. Yet for Col&McArthur, they are central to the idea behind many of its creations.

Founded in Belgium in 2013 by Sébastien Colen, the brand has developed a distinctive approach: choosing an event, a historical figure or a cultural achievement, then translating its story into a watch.

The result is a collection of timepieces that invites a different kind of curiosity. You don’t just look at the dial to read the time. You look closer to understand what is behind it.


The story comes first. The watch gives it a physical form.


A Belgian brand with a different starting point

Col&McArthur does not follow the familiar path of a watchmaker built around a signature case shape or a single family of complications. Its identity is primarily found in the subjects it chooses.

Space exploration, military history, scientific discovery, music and cultural icons all appear across its collections. Some watches incorporate materials associated with their subject; others use unusual displays, engravings or symbolic details to communicate the story.

Col&McArthur Lunar 1969

The watches are assembled in Belgium, with Swiss movements used across several collections, including mechanical calibers from Sellita and quartz movements from Ronda.

The Lunar 1969 collection offers a particularly compelling example of this philosophy. Inspired by Apollo 11, its three-dimensional dial recreates the Moon’s cratered landscape, while a fragment of lunar meteorite at 12 o’clock introduces a physical connection to the subject. According to the brand, the material comes from the NWA 11515 meteorite, discovered in Northwest Africa in 2017. It is an unusual detail that captures what makes Col&McArthur different: the story is not simply illustrated on the watch. Sometimes, part of it is incorporated into the watch itself.

Four collections, four ways of telling a story

EXPLORE THE COLLECTIONS
Col&McArthur Patriot 1776 watch
PATRIOT 1776 · AMERICAN HISTORY

American history, on the wrist.

In 2026, as the United States marks 250 years since the Declaration of Independence, Col&McArthur turns its attention across the Atlantic. The Patriot 1776 collection explores one of the defining chapters of American history through the same combination of symbolism and physical material found in the brand’s other historical watches.

Its most distinctive detail is a fragment of a Revolutionary War musket ball, which the brand says was sourced through an American specialist in historical artifacts and incorporated into the small-seconds display. The surrounding design draws on the Liberty Bell, the original colonies and the founding of the United States.

It is an interesting development for a Belgian brand whose earlier collections have explored European history and space exploration. The Patriot 1776 connects its storytelling with an American audience at a moment when the country’s founding history is receiving renewed attention. And it illustrates the central idea behind Col&McArthur: a watch can become a point of entry into a much larger historical conversation.

Why these watches deserve a closer look

Col&McArthur occupies an unusual position in contemporary watchmaking. Its collections do not share a single visual language. A watch incorporating material from the Spa-Francorchamps circuit, a fragment of a Revolutionary War musket ball, sand from the Normandy beaches and a tribute to Céline Dion might not immediately appear to belong to the same family.

But look beyond their appearance and the connection becomes clearer. Each one asks the wearer to discover something. And this is where seeing the watches in person becomes particularly interesting.

Col&McArthur Francochamps 1921

Photographs can reveal the textures and details of a dial, but they cannot fully convey the experience of examining the materials, understanding their origins or seeing how the watches feel on the wrist.

It also creates opportunities for questions that are not always part of a conventional watch presentation. Where did this material come from? Why was this particular event chosen? What does this symbol represent? For a brand built around stories, those conversations are part of the experience.

More than a commemorative watch

There are many ways to preserve history. Books, photographs, museums and archives allow us to revisit events and understand the people who shaped them. Col&McArthur proposes something different: transforming selected moments into objects that accompany everyday life.

This approach will not appeal to every watch enthusiast. Some collectors will always prioritize movement architecture, finishing or traditional design codes. But for those interested in the intersection of watchmaking, history and personal meaning, the brand offers something worth discovering.

Perhaps that is the most interesting thing about Col&McArthur. The watches tell time, certainly. But they also give us a reason to stop and look closer.


Some stories are worth preserving, while others are worth keeping in motion.


Contact us to receive the full press release.

Client Stories, Watches & Jewellery

Eberhard & Co.: A New Chapter for the Tazio Nuvolari


PARALLÈLE / WATCHES & JEWELLERY
IN FOCUS · EBERHARD & CO.

A New Chapter for the Tazio Nuvolari

At Rallylegend 2026, Eberhard & Co. introduces a new interpretation of its Tazio Nuvolari chronograph, continuing a collection inspired by the legendary Italian racing driver. The presentation coincides with a special tribute to brand ambassador Miki Biasion, marking 40 years since his first World Championship victory.

Some names in motorsport belong to a particular era. Others continue to shape the way that era is remembered. Tazio Nuvolari is one of them.

For Eberhard & Co., the legendary Italian racing driver has been more than a source of inspiration. Since 1992, his name has defined a collection of chronographs that connect the Maison’s watchmaking with the history, personalities and unmistakable visual language of motorsport.

In 2026, that collection enters a new chapter with a 40 mm automatic chronograph, introducing a textured Clous de Paris dial, renewed details and references to the symbols that accompanied Nuvolari throughout his racing career. Its presentation at Rallylegend 2026, taking place in San Marino from October 8 to 11, adds another dimension to the story.

A chronograph built around a name

Tazio Nuvolari (1892–1953) was never a conventional racing champion. His reputation was built on exceptional driving ability, determination and a willingness to challenge what seemed possible. But there was also something distinctive about the way he presented himself, from his yellow racing jersey to the small gold turtle he carried as a lucky charm.

The turtle was a gift from Italian poet Gabriele D’Annunzio, accompanied by a dedication that captured the contradiction perfectly: “To the fastest man, the slowest animal.” Eberhard & Co. has incorporated these personal symbols into its Tazio Nuvolari watches for more than three decades. The new chronograph continues that tradition but gives it a different visual expression.

At 40 mm, the stainless-steel case introduces a compact format, while the black dial receives a Clous de Paris decoration, a three-dimensional pattern of small, interlocking pyramids that creates depth and movement across the surface. Traditionally associated with more classical watchmaking, the pattern takes on a different character here, framed by the chronograph’s sporting references. The result is a watch that looks to vintage motorsport without simply reproducing the past.

Two dials, two personalities

The new Tazio Nuvolari is offered in two dial configurations. The first combines a black dial with matching black chronograph counters, creating a more uniform appearance. Its most distinctive detail appears at 9 o’clock, where the stylized turtle emblem incorporates Nuvolari’s initials, TN, in yellow.

It is the first time this yellow monogram has appeared in this configuration, recalling the same initials Nuvolari used on his racing equipment and personal belongings. The yellow continues onto the central chronograph seconds hand, introducing a small but deliberate contrast against the black dial.

The second version takes a different approach. Here, the black dial is paired with white coquille d’œuf counters, finished with an azuré pattern. The turtle emblem appears in gold, with white TN initials, while the central chronograph seconds hand adopts a matching gold tone.

Both versions feature vintage-inspired luminous Arabic numerals and skeletonized baton hands. The choice between them changes the character of the watch considerably: one emphasizes the continuity of black, punctuated by yellow; the other brings the chronograph counters forward through contrast.

The details of a racing chronograph

Beyond the dial, Eberhard & Co. has retained several elements that connect the Tazio Nuvolari collection to vintage motorsport. The bezel features a perlage finish and a black-engraved speed scale in miles per hour, while an additional tachymeter scale in kilometers per hour runs around the dial’s outer perimeter.

Two large chronograph counters display elapsed times of 30 minutes and 12 hours, powered by an automatic mechanical chronograph movement. The polished rectangular pushers, positioned at 2 and 4 o’clock, control the chronograph’s start, stop and reset functions.

The stainless-steel case measures 13.10 mm in thickness, with a sapphire crystal treated to reduce reflections and water resistance to 50 meters. On reference 31175, the case back is secured by eight screws and combines a perlage finish with a polished central section featuring gold-colored engravings.

The collection also includes the Gold Car Collection, reference 31176, distinguished by a sapphire exhibition case back revealing the decorated movement. Its oscillating weight carries an 18-karat gold representation of Tazio Nuvolari driving the Alfa Romeo Type C. It is a detail normally hidden against the wrist, but one that connects the mechanics of the watch directly to the driver behind its name.

The chronograph can be paired with a black alligator leather strap, a gray suede-effect fabric strap or a steel Charme bracelet with the Maison’s 2CLICK® clasp, personalized with the stylized turtle emblem.

Forty years later, another motorsport story

The new Tazio Nuvolari arrives at Rallylegend during a particularly meaningful edition of the event. Eberhard & Co. returns as Sponsor and Official Timekeeper, joining a celebration of rallying history centered on the 40th anniversary of Miki Biasion’s first World Championship victory.

In 1986, Biasion claimed that victory at Rally Argentina behind the wheel of the Lancia Delta S4 of the Martini Racing team. Four decades later, the two-time World Rally Champion and Eberhard & Co. brand ambassador returns to the same historic car at Rallylegend.

He will participate in the Group B Tribute, alongside fellow rallying names including Stig Blomqvist and Markku Alén, as the event commemorates 40 years since the end of one of motorsport’s most extraordinary categories.

Another familiar name will also return to the spotlight. Piero Liatti, winner of the 1995 Rally Sanremo and 1997 Rally Monte Carlo, will drive a Subaru Impreza featuring a customized Eberhard & Co. livery in the Memorial Bettega, the celebrated head-to-head challenge originating at the Bologna Motor Show.

The Maison will also present its watches to the winning crews in the WRC, Group B, former Group A and Rally2 categories competing on “The Legend” special stage.

More than a reference to the past

There is a clear connection between the new Tazio Nuvolari chronograph and the setting chosen for its Rallylegend presentation. Both are built around names and machines that have remained relevant long after their original moments of competition.

But neither is simply about nostalgia. The watch introduces a new dial texture, updated proportions and fresh interpretations of familiar symbols. Rallylegend brings historic cars and drivers back into motion, allowing new audiences to experience the stories that made them significant.

For Eberhard & Co., this is also a question of continuity. The Tazio Nuvolari collection has carried the driver’s name since 1992. More than three decades later, the Maison continues to find new ways of interpreting his character through watchmaking.

The details change but the connection remains. And at Rallylegend 2026, where Miki Biasion returns to the car associated with his first World Championship victory, that idea feels particularly relevant.

Some stories are worth preserving, while others are worth keeping in motion.

Sparkling PR is the exclusive public relations agency for Eberhard & Co. in the Spanish and Portuguese market only.

Contact us to receive the full press release.

Client Stories, Watches & Jewellery

Time Leaves Its Mark: The Eberhard & Co. Scafograf 200 MCMLIX Bronze Edition


PARALLÈLE / WATCHES & JEWELLERY
IN FOCUS · EBERHARD & CO.

Time Leaves Its Mark

Eberhard & Co. introduces bronze to the Scafograf 200 MCMLIX, creating a dive watch designed to change with time and with the person wearing it.

While some materials are chosen because they resist time, bronze is interesting precisely because it records it. For the new Scafograf 200 MCMLIX Bronze Edition, Eberhard & Co. has introduced bronze to two of the watch’s most distinctive elements: the bezel and crown. Against the stainless-steel case, black ceramic and black dial, the warmer metal immediately changes the character of the Scafograf.

But this is a contrast that will not remain exactly as it is on day one. Exposed to air, humidity and salt water, bronze gradually changes in surface, color and brightness, developing the natural patina that protects the metal and gives each piece its own appearance. On a watch created for the water, that feels particularly appropriate.

A story that started in 1959

The relationship between Eberhard & Co. and the sea goes back further than the Scafograf itself. As early as the 1930s, officers of the Italian Royal Navy were regularly presented with an Eberhard & Co. chronograph as a distinctive symbol of their role. The Scafograf collection followed in 1959, becoming one of the clearest expressions of Maison’s connection with the marine world.

The Scafograf 200 MCMLIX carries that history forward in a contemporary 39 mm format, while retaining visual references to the original model. Those references remain present in the Bronze Edition.

Round and triangular applied indexes structure the black dial, while the distinctive triangular tip of the hour hand recalls the configuration of the first Scafograf from 1959. Bronze-colored polished outlines introduce the material’s warmer tone across the dial without actually turning the entire watch into bronze.

That distinction matters. Rather than covering the watch in the material, Eberhard & Co. has used bronze selectively.

Bronze, steel and black

The 39 mm case remains stainless steel, with a satin finish and polished profiles. The bronze appears on the unidirectional rotating bezel and screw-down crown, creating a contrast that is reinforced by the bezel’s black ceramic insert. On the bezel, bronze-colored details are joined by vintage-inspired luminescence across the first quarter of the minute scale.

The same combination continues on the dial. Against black, the bronze-toned outlines of the indexes and hands become more pronounced, while vintage-inspired luminescence reinforces the historical references. A peripheral minute track is laser-engraved around the dial.

The result is warmer than the usual language of the steel dive watch, but still recognizably Scafograf. And because only certain components are bronze, those elements will gradually develop their own patina against a steel case that does not change in the same way. The watch will not simply age. Its contrasts will evolve.

Still a Scafograf

The material may be the novelty, but the functional codes of the collection remain intact. The Scafograf 200 MCMLIX Bronze Edition is water-resistant to 200 meters and equipped with a unidirectional rotating bezel with a diving-time scale, a screw-down crown and an automatic helium escape valve at 9 o’clock. A domed sapphire crystal receives an anti-reflective treatment on its inner surface.

Even the part normally hidden from view receives its own detail: the screwed stainless-steel caseback carries the Scafograf starfish in 5N gold-tone PVD and inside is an automatic mechanical movement with a Glucydur balance and central seconds.

Beyond the water

There is another shift happening here. Dive watches were historically defined first by function, and their aesthetic naturally followed. The Scafograf 200 MCMLIX Bronze Edition retains those technical characteristics, but Eberhard & Co. is also deliberately pushing the model towards greater versatility.

Three configurations make that particularly visible. The watch can be paired with a black water-resistant leather strap with a vintage appearance and bronze-colored stitching, a new steel Milanese mesh bracelet, or the sportier Chassis® steel bracelet.

Each changes the personality of the same watch. On leather, the bronze and black combination brings out its more vintage character. The Milanese bracelet gives the watch a different kind of elegance, while the Chassis® keeps it closer to the overtly sporty side of the Scafograf.
It is still a watch equipped to go underwater. It simply no longer needs the water to explain itself.

A material that remembers

Eberhard & Co. unveiled the Scafograf 200 MCMLIX Bronze Edition in connection with the Genoa International Boat Show 2026, where the Maison serves as Official Timekeeper and, for the fifth consecutive year, uses the event to celebrate its longstanding relationship with the sea.

That setting gives the choice of bronze another layer. Its resistance to corrosion makes it naturally connected to the marine environment. Its tendency to develop a patina makes that relationship visible. A scratch, salt water, humidity, air… over time, the surface responds to all of them.

Most watches are designed to tell us how much time has passed. This one lets some of that time remain on the watch itself.

Sparkling PR is the exclusive public relations agency for Eberhard & Co. in the Spanish and Portuguese market only.

Contact us to receive the full press release.

Client Stories, Watches & Jewellery

From Hand-Winding to the Moon: Frederique Constant’s Latest Novelties


PARALLÈLE / WATCHES & JEWELLERY
IN FOCUS · FREDERIQUE CONSTANT

From Hand-Winding to the Moon

With the first mechanical movement in the Moneta collection and a new Manufacture moonphase for the Highlife, Frederique Constant’s latest releases explore two very different sides of contemporary mechanical watchmaking.

Frederique Constant’s latest novelties arrive from opposite directions. The new Classics Moneta Handwinding takes a young collection back to one of watchmaking’s most traditional gestures: winding a mechanical movement by hand. The Highlife Moonphase Date Manufacture, meanwhile, introduces a new Manufacture complication to one of the Maison’s most contemporary collections.

One is deliberately simple and neo-retro. The other combines moonphase, date and a 72-hour power reserve in a versatile 39 mm case. Together, they offer two different expressions of an idea that has long shaped Frederique Constant: combining Swiss mechanical watchmaking, technical expertise and accessibility.

The Moneta becomes mechanical

Introduced in 2024, the Classics Moneta built its identity around an unusual detail. Its distinctive rehaut is finished with fine grooves inspired by the ridged edge of a coin, the detail from which Moneta takes its name. It is subtle enough not to dominate the watch, but distinctive enough to give an otherwise classical design its own character.

Now, for the first time, the collection becomes mechanical. The new Classics Moneta Handwinding houses the FC-435, a manually wound caliber from Swiss movement manufacturer La Joux-Perret, personalized exclusively for Frederique Constant. As both La Joux-Perret and Frederique Constant belong to the Citizen Group, the Maison describes it as an “in-group” movement.

Visible through the sapphire caseback, the caliber offers 63 hours of power reserve and operates at 4 Hz. Its Côtes de Genève decoration is complemented by the Frederique Constant crest at the center, while the absence of an oscillating weight leaves the movement fully visible. The choice of hand-winding feels particularly suited to the Moneta.

Rather than simply introducing a mechanical movement, Frederique Constant has used it to reinforce the watch’s neo-retro identity. Winding it becomes part of the experience; turning it over reveals another.

A new size, and a new dial

The mechanical transition comes with changes on the outside too. The stainless-steel case introduces a new 38.5 mm diameter, while the dial combines a smoked salmon center with a gradient that darkens towards black at the edges. Applied mirror-polished indexes sit alongside central dauphine hands, while small seconds at 6 o’clock reinforce the classical proportions and 1950s influence.

There are plenty of vintage references here, but the result stops short of becoming nostalgic. The salmon dial, hand-wound movement, small seconds and black alligator leather strap establish the mood without overwhelming the simplicity that made the Moneta recognizable in the first place.

Limited to 999 pieces, the Classics Moneta Handwinding represents a significant evolution for a collection that is only two years old: its distinctive design remains, now paired for the first time with a mechanical movement.

The Highlife looks to the Moon

If the Moneta is about going back to basics, the new Highlife Moonphase Date Manufacture takes the opposite approach. Since its relaunch in 2020, the Highlife collection has explored several complications, including the Worldtimer, chronograph and perpetual calendar. The Moonphase Date now joins them.

At its heart is the new FC-716 automatic Manufacture caliber, designed and assembled by Frederique Constant in Geneva. It provides a 72-hour, or three-day, power reserve, thanks to a redesigned barrel and a mainspring produced from a new alloy. The movement combines two synchronized indications: moonphase and date. Both can be adjusted directly through the crown, avoiding additional correctors and keeping the complication straightforward to use.

Through the sapphire caseback, the FC-716 reveals its perlage and Côtes de Genève decoration. But from the front, the Moon is clearly the protagonist.

Making the complication the center

Frederique Constant has given the moonphase display a highly detailed treatment, reproducing variations in grey, relief and shadow across the lunar surface. Positioned at 6 o’clock and surrounded by the date indication, it also determines the visual structure of the dial. Rather than radiating from its conventional central point, the sunray finish begins at the moonphase itself. The complication becomes the visual center of the watch, with the rest of the dial appearing to extend from it.

The 39 mm stainless-steel case is offered with two dial interpretations. The first combines a rose-champagne sunray finish with a deep blue moonphase display, creating a contrast between warm gold and copper tones and the darker representation of the night sky. The second takes a more tonal approach, pairing a midnight-blue dial with a slightly darker blue moonphase. A red “31” provides the one deliberate interruption, marking the end of the monthly cycle.

Both versions are delivered with two interchangeable options: a blue Saffiano leather strap and a five-link stainless-steel bracelet with alternating polished and brushed finishes. It gives the Highlife two quite different personalities without changing the watch itself.

Different watches, same direction

The two releases occupy very different places within the Frederique Constant universe. The Moneta introduces the first mechanical movement in the collection. The Highlife continues a line of complications that already includes the Worldtimer, chronograph and perpetual calendar.

One offers the tactile simplicity of hand-winding and small seconds. The other brings together an automatic Manufacture caliber, moonphase and date. Yet both reflect a familiar Frederique Constant approach: putting traditional watchmaking ideas into watches intended to be worn rather than simply admiredfrom a distance.

That philosophy is particularly visible in the way each watch approaches mechanical watchmaking. The Moneta combines a decorated Swiss mechanical movement, a 63-hour power reserve and limited production with a deliberately restrained design, while the Highlife Moonphase Date Manufacture brings together an in-house calibre, a 72-hour power reserve and two synchronized complications in an everyday 39 mm format.

The complication is there. So is the watchmaking. But neither is presented as something that needs to feel inaccessible.

A double GPHG pre-selection

The timing also brings another piece of news for Frederique Constant. The Classics Moneta Handwinding has been pre-selected by the Academy of the Grand Prix d’Horlogerie de Genève 2026 in the Challenge category. It is joined by the Classic Worldtimer Manufacture, pre-selected in the Petite Aiguille category.

The Worldtimer is not one of the September novelties explored here, but the double pre-selection brings together two different expressions of Frederique Constant’s mechanical watchmaking: the first mechanical Moneta and one of the Manufacture’s established complications.

The winners will be announced during the GPHG ceremony in Geneva on 7 November 2026.

For now, the two latest releases tell their own story. From winding a watch by hand to following the phases of the Moon, Frederique Constant is approaching mechanical watchmaking from two very different directions, while keeping the distance between the watch and the person wearing it deliberately short.

Sparkling PR is the exclusive public relations agency for Frederique Constant in the Portuguese market only.

Contact us to receive the full press release.

Client Stories, Geneva Watch Days 2026

1902 Petite Seconde Heure Dorée: The Other Side of the Watch


PARALLÈLE / GENEVA WATCH DAYS 2026
IN FOCUS · SCHWARZ ETIENNE

The Other Side of the Watch

The 1902 Petite Seconde Heure Dorée makes its first impression in black and gold. Then you turn it over.

At Geneva Watch Days, the reaction was remarkably consistent. The dial caught the eye first: deep black, warm gold accents, compact proportions. Then the watch was turned over, and the conversation changed. That second moment is perhaps the more revealing one.

The 1902 Petite Seconde Heure Dorée is limited to eight pieces and combines a 39 mm Grade 5 titanium case with a deep-black multi-layer DLC coating, a black dial articulated by 4N PVD gold-toned details, and Schwarz Etienne’s manufacture ASE 300.00 automatic micro-rotor caliber.

But the interest lies less in any one specification than in the way the watch is built around contrast: black and gold, surface and depth, dial and movement, first impression and second look.

Black, but not flat

The name Heure Dorée evokes the golden hour, when daylight takes on a warmer tone before fading. Schwarz Etienne uses that idea not as a decorative theme, but as a way of structuring the watch.

The dial combines a silky grained center with a black opaline upper plate. The contrast is subtle at first, but more apparent when the watch moves. Light catches different surfaces differently, preventing the black from becoming visually flat.

Against it, the applied indexes, logo and lancine-style hands appear in 4N PVD gold tone. The hands themselves combine sandblasted and polished surfaces, allowing the gold to shift in intensity depending on the angle. The minute track and small seconds display at six o’clock continue the same warm tone across the dial. The effect is controlled rather than dramatic. Black provides the depth. Gold provides the interruption.

Even the case works with the same idea. This is the first time the 1902 collection has combined Grade 5 titanium with a deep-black multi-layer DLC coating. At 39 mm in diameter and 10.90 mm high, the proportions remain restrained, while satin-finished and polished surfaces create small changes in reflection as the watch moves on the wrist.

From the front, it feels coherent and relatively quiet. Then comes the reverse.

When the movement takes over

Through the transparent caseback, the ASE 300.00 caliber changes the character of the watch. Its architecture is organized around six slender bridges, giving the movement an open, almost structural quality. For this edition, the caliber is presented in anthracite tones for the first time within the 1902 collection, extending the black aesthetic from the dial into the mechanics.

Then, once again, gold interrupts the darkness. The micro-rotor is finished in 4N gold tone, reserved for this series, echoing the indexes and hands visible on the front. It is small in scale but visually decisive, a warm point of light inside an otherwise darker architecture. This is where the watch begins to explain itself. The front and back are not two separate design exercises. They follow the same visual logic.

The dial uses gold to reveal the black. The movement does the same.

The details behind the architecture

Look closer and the movement becomes less about contrast and more about construction.

The mainplate is sandblasted and rhodium-plated, with polished bevels. The bridges carry circular and concentric Côtes de Genève. The micro-rotor combines sandblasted and satin-finished surfaces with a hand-polished bevel and a chevron motif inspired by the natural surroundings of the Manufacture.

The ratchet wheel adds another detail: a hand-polished drop, an engraved indication that the watch is limited to eight pieces, and lettering filled by hand with matt black lacquer. The caliber itself is composed of 191 components, runs at 3 Hz and offers an 86-hour power reserve.

These are the details that reward the second look. And they also explain why the movement became such a strong part of the reaction in Geneva. One editor’s comment captured it simply: The movement should be the dial. It was not really a criticism of the front. It was a recognition of how much was happening on the other side.

Built from the movement out

That emphasis is important for understanding Schwarz Etienne.

The Manufacture traces its roots to 1902 and remains independent, with in-house expertise in mechanical movement development and production. The ASE 300.00 is conceived, developed and assembled in La Chaux-de-Fonds, within an integrated approach that places movement architecture at the center of the watch.

That independence matters here because the 1902 Petite Seconde Heure Dorée is not simply a color variation. The black DLC case is new to the collection. The anthracite movement treatment is new. The 4N gold-toned micro-rotor is specific to this edition. Each of those choices continues the same idea from one side of the watch to the other. The result is a watch that reveals itself in stages. First, the black. Then the gold. Then the movement. And perhaps that is why, around the table in Geneva, people kept turning it over.

The dial made the first impression. The movement changed it.